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The Insubordination of Photography: Documentary Practices under Chile's Dictatorship

The Insubordination of Photography

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"The Insubordination of Photography" by Ángeles Donoso Macaya is a history book focused on Photography Basics. Best for general readers, students, and topic-focused learners.

Latin American Studies Association Visual Culture Section Best Book Prize  Latin American Studies Association Historia Reciente y Memoria Section Best Book Prize  The role of documentary photography in exposing and protesting the crimes of a dictatorship After Augusto Pinochet rose to power in Chile in 1973, his government abducted, abused, and executed thousands of his political opponents. The Insubordination of Photography is the first book to analyze how various collectives, organizations, and independent media used photography to expose and protest the crimes of Pinochet's authoritarian regime.  Ángeles Donoso Macaya discusses the ways human rights groups such as the Vicariate of Solidarity used portraits of missing persons in order to make forced disappearances visible. She also calls attention to forensic photographs that served as incriminating evidence of government killings in the landmark Lonquén case. Donoso Macaya argues that the field of documentary photography in Chile was challenged and shaped by the precariousness of the nation's politics and economics and shows how photojournalists found creative ways to challenge limitations imposed on the freedom of the press.  In a culture saturated by disinformation and cover-ups and restricted by repression and censorship, photography became an essential tool to bring the truth to light. Featuring never-before-seen photographs and other archival material, this book reflects on the integral role of images in public memory and issues of reparation and justice.  A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L'Hoeste and Juan Carlos Rodríguez  Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

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Best For: Readers interested in the intersection of photography and political history, especially related to Latin America.
Focus: Examines documentary photography as a form of protest and exposure during Chile's dictatorship under Augusto Pinochet.
Covers: The use of photography to document human rights abuses and political repression in Chile from 1973 onward.
Why It Matters: Highlights how visual media can serve as a tool for resistance and historical memory in oppressive regimes.

"The Insubordination of Photography" by Ángeles Donoso Macaya is a history book focused on Photography Basics. Best for general readers, students, and topic-focused learners.

Topic: Photography Basics

Author: Ángeles Donoso Macaya

Who this is for:

  • Students
  • Educators
  • Interested readers

Why this book matters: It gives readers useful context, background, and perspective on the subject through a focused and accessible presentation.

Latin American Studies Association Visual Culture Section Best Book Prize  Latin American Studies Association Historia Reciente y Memoria Section Best Book Prize  The role of documentary photography in exposing and protesting the crimes of a dictatorship After Augusto Pinochet rose to power in Chile in 1973, his government abducted, abused, and executed thousands of his political opponents. The Insubordination of Photography is the first book to analyze how various collectives, organizations, and independent media used photography to expose and protest the crimes of Pinochet's authoritarian regime.  Ángeles Donoso Macaya discusses the ways human rights groups such as the Vicariate of Solidarity used portraits of missing persons in order to make forced disappearances visible. She also calls attention to forensic photographs that served as incriminating evidence of government killings in the landmark Lonquén case. Donoso Macaya argues that the field of documentary photography in Chile was challenged and shaped by the precariousness of the nation's politics and economics and shows how photojournalists found creative ways to challenge limitations imposed on the freedom of the press.  In a culture saturated by disinformation and cover-ups and restricted by repression and censorship, photography became an essential tool to bring the truth to light. Featuring never-before-seen photographs and other archival material, this book reflects on the integral role of images in public memory and issues of reparation and justice.  A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L'Hoeste and Juan Carlos Rodríguez  Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

AuthorÁngeles Donoso Macaya
PublisherReframing Media, Technology, a
Published2023-01-24
ISBN-139781683403548
BindingPaperback
LanguageEnglish
SubjectsHistory
TopicPhotography Basics
SeriesReframing Media, Technology, and Culture in Latin/O America

Format: Paperback

Language: English

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